Ghostwood Farm


Musicology.
July 11, 2018, 9:53 am
Filed under: Uncategorized

I like music.

“Like” is such a terrible word.

I WANT music. I REQUIRE music.

I find myself thinking about the idiosyncratic preferences I have in music, the details I hone in on. What do I want in music?

I want a ride cymbal that’s huge, a cymbal that sounds less like hitting a cymbal than hitting a shovel. The ride at 2:40 here is perfect.

I want aggression. Even in quiet songs. But yeah, in loud songs, too.

I want passion. I would much rather hear a vocalist that can’t sing well but means it than someone who sings well but sounds unconnected to the music. I once burst into tears while driving when I was hit with the beauty and majesty of…fIREHOSE’s cover of “Slack Motherfucker.” Really. That guitar, Ed’s voice…at that moment, the power was overwhelming.

I prefer unique voices to good voices. I prefer Guy to Ian. I prefer Billie to Ella.

If it’s loud, I want overdrive, but not usually fuzz or distortion as one might think of it. Overdrive is shouting to make sure you’re heard; distortion is a loud drunk belaboring the point. Distortion is typing in ALL CAPS. Distortion is riding the crash.

I hear the bass guitar first. I think it’s from listening to fIREHOSE. Even when it’s boring and subdued, I hear it first. I want the bass defined, a good balance of treble and bass. Watt’s bass sound is perfect (imagine that).

I want a brutal snare. When I was in college, the drummer in the band I was in broke the bottom head on his snare and replaced it with a tom head. It sounded perfect; it sounded like Jimmy Chamberlain’s on Gish. He swapped it out with another one that sounded more traditional, that had more snap, but the guitarist and I would switch it back whenever he wasn’t looking.

I don’t generally like female vocalists but I’ve never been sure why. The two big exceptions, Fiona Apple and Neko Case, have low voices for women, and are very powerful. I could listen to Neko sing a damn phone book.

I want dynamics, but not artificial dynamics, and not dynamics that make a record difficult to listen to. I tend to think Steve Albini ruins records.

I want bands that get better with each release, or at least that don’t peak with their first record. Crooked Fingers. Archers of Loaf. fIREHOSE. Dinosaur Jr. Fugazi. The Beatles (who didn’t even get GOOD till Rubber Soul or so). The Police. Elvis Costello. Tom Waits. Love and Rockets’ next-to-last record was their masterpiece. The Pixies best two records are their first two; each after that is good, but slightly less good than the previous one. That makes me sad.

I want music I can enjoy with my kids that isn’t kid music. My kids love Elvis Costello and Billy Bragg.

I want singers who sing the songs they write, even if they aren’t the best singer. There isn’t a Dylan, Neil Young, or Springsteen cover I prefer to the original.

I want music that sounds like I can play it. Simple but effective.

I want jazz that’s melodic, but in which the melody is a bit fast and loose. Mingus is the best at this. I also love mid to  late-period Coltrane. I used to really get into old bebop, but now, it kind of reminds me of Steve Vai–technically impressive, but not as enjoyable as Blue Train. or Mingus Ah Um. Or even Kind of Blue.

I want noise, but controlled noise. It may not seem controlled at the moment, but then, suddenly, they come out of it and move on together, with precision. Fugazi and Archers are both really good at this. Sonic Youth noise bores me. Noise for noise’s sake isn’t interesting.

Music is life, but it’s subjective, innit? There is a lot of music out there not worth your time, but much more than you’ll ever hear that is. Judge music by your tastes; don’t judge people for theirs.

Happy listening.

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